"Born within my grow room,
these prototype works are destined for a profound metamorphosis. Through an evolution of material, form, and proportion, the prototypes will grow until they transform into true sculptures. These pieces, evolving from their ephemeral nature to a sculptural dimension, are designed to spread positive vibrations and harmony wherever they are placed."
Andy
Andy
The first artwork to undergo a metamorphosis was created from waste materials from the construction of a new bathroom in Holborn, London, giving rise to a series of unique pieces. The first in the series, titled "Andy," now resides in a private collection, exuding an aura of creativity and rebirth.
Harmony
Harmony and the Melodies
In the realm of creativity, Harmony orchestrated the creation of seven sister , each resonating with a unique melody, offering a symphony of emotions to all who encounter them. Now, Harmony resides in a private collection; you may encounter her sisters out and about.
In Metamorphosis
Magot
Magot and the Ethereal Guardians
Margot and the Guardians of the Ethereal Dreams is a testament to unwavering determination and resilience, illuminating the path of those seeking spiritual enlightenment.
Magot, the Guardian of the Ethereal Realms, is a testament to unwavering determination and resilience, illuminating the path of those seeking spiritual enlightenment. It is now in
ALBERT
Albert
Ethereal, exploration of the delicate balance between strength and vulnerability, portrays the beauty and resilience that exists within the human spirit.
cesa
Cesa
The stone head
is the seat of the soul and a connection to the spiritual world. It now resides in a private collection along with other heads like it.
Jumo
Jumo
He allowed me to see his soul through his eyes. Joy, elegance, love, are just some of the emotions that a client's dog near Chancery lane London transmitted to me
Bruce
Bruce
Bruce, an embodiment of the untamed wilderness, exudes a raw and primal energy, symbolizing the unyielding force of nature in its purest form.
Frida
Frida
The Song of the Flower
This work was born not from a drawing, but from an urgent need: to give solid form to an emotion that could no longer remain flat on the canvas. It is a tactile dialogue with the soul of Frida Kahlo, but also with every soul that has known the burden of its own fragility.
I chose plaster and clay for the torso because I wanted a material reminiscent of earth: porous, marked, capable of retaining the imprint of fingers. I wasn't looking for the smoothness of classical statuary, but the truth of the scar. This bust is a temple of resilience that emerges from the darkness of the black background, claiming its space in the world, a wild blossoming that asks no permission. It is the beauty born from cracks, the secret garden that each of us cultivates to survive the winter of the spirit.